Stritar's chronolog

Reinventing the blog, part 3: WTF did Pitchfork just do?

Thu, 30 May 2013 20:24:21 GMT

You know that feeling when you do a lot of research, and after you publish your results, you notice something else that should be included as well? Happens to me all the time. Immediately after creating the list of the most outstanding blogs, I noticed a few others that should be added to the directory. Shit happens. I also tried to identify the funky new UI elements these blogs use, which would help me understand the user experience requirements driving modern publishing trends. Felt pretty good about the conclusions, but only to find myself out of luck again. Turns out I missed something very important, something I noticed when I saw what Pitchfork does with their cover articles.

When I was doing some research on Daft Punk, I read an article on Pitchfork, and their use of parallax scrolling almost brought tears to my eyes. Not that parallax scrolling is anything new - there are many outstanding cases of using this technique in web design. But usually, this means the whole website is a single-page showcase that is using multiple layers that scroll with different velocity and in different directions to display information in an interesting way. One page.

Not on Pitchfork. They're using advanced layouts and super-fancy parallax scrolling on all of their cover articles. Custom fucking everything. Contrary to some other magazines, who are also using generic parallax scrolling in their feature articles (respect!), and some other blogs using custom layouts for cover stories (respect!), this is simply over the top. Check it out for yourself. I can't imagine how much time is put into a post like this, making it looks as good as it does.

One of the crazy transitions and animations inside the story.

But what does this mean? Simple. Do you remember The Daily, an iPad-only magazine that was already discontinued? Supposedly it offered revolutionary ways of consuming content. I didn't get the chance to try it out, but I did saw a few issues of Wired on the iPad, and I have to admit, it did feel like being in the future.

These paradigms are slowly being adopted on the Web as well, and some magazines and blogs are already polishing their most important content to impressive levels, combining in-depth stories and custom development into digital masterpieces. Like Pitchfork's cover story, or even a feature on Newsweek or a review on The Verge. This goes beyond putting some text into a WYSIWYG editor and uploading a few photos. Modern (digital) publishing is obviously pointing towards a collaborative effort of a broad team of journalists, designers and web developers, which will be the only way to deliver content that will retain audience. So much for a plain and simple blog redesign.

Check out the complete Reinventing the blog series.

Daft Punk, Arrested Development, and how content is becoming an experience

Wed, 15 May 2013 07:32:28 GMT

What a great year for content! In October 2012, Red Bull Stratos set a benchmark for what can be done with branded content. The jump was watched live on YouTube by 8 million people. A few months later, Gangam style established a new standard for how far online virality can take you. It became the first video to reach 1 billion views on YouTube. Powered by the internet. These two extreme cases probably won't be topped for quite some time (internet time, that is) and are clear leaders in their categories. But lately, I've noticed two other great examples that clearly show something else - where commercial content (promotion) is headed. It's all about delivering experiences, which are created and amplified by digital marketing.

Daft Punk

I've never ever seen so much buzz about a release of a new album. Ok, my streams aren't filled with information about Biebers and Gagas, so I can't tell what's happening there, but I'm sure Daft Punk won big time. The crazy release that's been going on for months, with teaser videos, song loops, weird promotions and shitloads of publicity. Facebook, Twitter or Reddit, Daft Punk seem to be all over the place, and everybody was trying to be the first to publish the link to the stream or download of Random Access Memories. The first single from the album already received more than 23 million views on YouTube (in 6 weeks), and the song is number 1 in many countries, besides breaking Spotify streaming records. What a comeback!

Arrested Development

Some of you may have heard about Arrested Development. It's one of those shows that got cancelled after only a few seasons, but kept a strong fan base that was waiting for years for a movie to be made. Then, the mighty Netflix came around, and something even better than a movie happened. Season 4, with the original cast! The trailer that launched a few days ago already has more than a million views, which is a lot compared to the 3.5 million who watched season 3 finale. Awesome stuff, can't wait to see it.

So what

A music album with lots of supporting content and infinite publicity, a TV show with a loyal army of geeks? These two cases are more alike than it seems at first sight. They both offer more than the content itself, they offer experiences. They are both fueled by the internet. They are both children of online virality.

Google search trends for Daft Punk and Arrested Development peaked in the past days.

Daft Punk gave us a something that goes beyond an album, they gave us a complete story that's funky, appealing and mysterious (and filled with 80s revival and robots). Netflix will be fulfilling a fantasy that we've been having for years, and they will make us come like never before. The complete season (15 parts, 8.5 hours) will be available at once, so fans will be able to watch it in one peace! The US internet will surely be consumed by Netflix on May 26th.

Do you see what's happening? Everything, even (commercial) content, is becoming an experience. Otherwise, it's overlooked in the sea of information overload.

UPDATE (16.6.2013): It seems Arrested Development's transmedia experience is getting more interesting. Yesterday evening, one of the most fascinating characters in the series, dr. Tobias Fünke, got it's own sizzle reel and website, promoting his acting skills. Great stuff.

Reinventing the blog, part 1: Dissecting the most innovative and best-designed blogs

Fri, 29 Mar 2013 15:23:46 GMT

The blog is getting mature. Ever since Gawker did its eccentric redesign a few years ago, we've seen a lot of other blog (networks) doing similar things, trying to reinvent how the blog should look like in 2013. After the initial hiccup, Gawker managed to fortify its position and attract new users, showing others that people do like to see different things, things that are imitating the experience of reading electronic magazines on mobile devices. Today, there are many great cases of how a modern blog should feel, and since I'm thinking about doing something similar myself (it's been almost 4 years since I did this!), I decided to dissect a few of the most innovative ones, hoping to get a picture of what works and what not. Here are my picks of the most creative and best designed (mainstream) blogs on the Web, those that are standing out from the crowd and are unique in what they offer to their readers.

Fast Company

Fast Company is a great example that demonstrates the power of images - especially if you have access to professional photographic material. The home page is clean and the highlighted article is integrated into the main key visual, which works very well. The same logic of the huge picture is implemented to the inner pages as well, and this picture is transformed into a gallery if required. There isn't much of related content on a single article, and the social buttons are custom, which I think we will be seeing a lot of in the future.

Fast Company uses an effective combination of the key visual, article header, additional flavor text and custom social buttons.

Fast Company uses custom typography, infinite scroll to avoid paging, takes good advantage from the article abstract / subtitle to make you curious (it's displayed on the article as the introduction as well), and their website is responsive. It is also interesting that they keep a single article visible above the fold on their homepage to retain focus. From the design and user experience perspective, this solution is one of my favorites.

Gawker

Gawker's innovative approach was to use two columns for news on the home page - one for top stories and one for latest stories - and ditching the main menu. While this may have been one of the most important evolutions modern blogs have made, I don't think this feature works well on the homepage, since I don't really notice the right column when I browse the site. However, this feature becomes more useful on the inner pages, where this module is duplicated, and where most people land on the site.

Gawker and the omnipresent main menu that changed the game.

This realization, that single blog posts should be treated as primary landing pages, is very important, and Gawker was one of the first to fully integrate that concept into its user experience. People don't browse blogs anymore, they consume social media that brings them to blogs.

Gawker also uses a big picture (not in such a cool way as Fast Company) in the post, and it's very smart and concise that this picture can be replaced with a video. I like the way comments are solved, showing only the most popular threads, and not the complete conversation (with the amount of comments they have, it would be probably useless otherwise). I'm also keen on the internal hot meter they use, which they seem to use to distinguish the top and latest news. However, they should ditch the "like Gawker" block exposed on each article, it's very misleading. The mobile site should also be replaced with a responsive version.

Mashable

Mashable's redesign introduced quite a few interesting features I look forward to adopting. They have minimized the main menu, offering a drop down popup menu that allows further classification of news. This menu is well coded and does a pretty good job of taking care of incidental mouse moves (not as good as Amazon though). The homepage uses three columns to display articles, even though I'm not fully sure how that works ("The new stuff" is probably all articles, "The next big thing" are probably highlighted by the editor, and "What's hot" by the crowd), and this feature's column header is fixed upon (infinite) scrolling. The design is, driven by their specific social media ninja audience, of course, responsive.

Mashable has a clever integration of social media activity on the top of the article.

What I like about Mashable's new version the most, is the clever social media integration. They have the total number of shares displayed on the top of the article, as well as a little graph that displays the dynamics of social activity for a specific post. These social media statistics are probably also used to feed the columns on the homepage, even though most people probably don't understand what's happening. But perhaps that's for the best - if it works well in recommending the articles, thumbs up.

Again, we are seeing a picture above the article, which can be video as well. That's good. What I don't like about Mashable is the three-column footer of the article, it is the same as the homepage, displaying a single category. I can understand the need for such a thing, it could work, cloning the homepage on the landing article page, but for me, it's just too overwhelming.

The Next Web

The Next Web's new design is somewhere in between Mashable and Gawker. The homepage uses two columns, the Channels, which can be configured and switched from popular to latest, and the main window, which offers a pinterest-style display of articles, similar to the one Mashable uses. This left menu box is fixed and used both on the home and inner pages, and it works as the main menu to navigate the content of the portal. The main main menu is simple and works as a hub for other TNW stuff.

The Next Web's navigation and post header, together with instruction to use the keyboard.

The Next Web also has custom social media integration, and offers the users to navigate with the keyboard. This navigation works very well with the left box - meaning the users is navigating the current selection in the box, offering an experience similar to switching a remote on a digital TV, knowing what the next channel will be. I'm not sure how many users notice and use this feature, but this integrated content and navigation approach is very interesting.

The site is responsive, uses a big picture before the post, together with the detailed information about the article. Another interesting thing - the images break out of the paragraph form. Overall, a very solid performance with a minimalistic design.

Quartz

While Quartz may not be one of the most well-known blogs out there, it still very much deserves a mention for its creative implementation. The clever menu that collapses when you proceed to the article, the interesting fixed list on the left that can be configured and pivoted according to your wishes, making the navigation much easier and again, integrated with the content.

Quartz fully integrates the navigation and content.

There's another innovative feature on Quartz for which I haven't decided if I like it or not, but it is very interesting nevertheless. When you scroll to the end of the article, the next article is automatically displayed, together with a new URL. This is made as a redirect (the url changes), but it does not seem like one at all - when I get the time I will try to see how they technically achieve this. This article change is integrated with the left box, which makes the complete experience pretty interesting, similar to the one The Next Web has. What Quartz misses is better social media integration. They went a step back and decided to use links to share pages instead of widgets, which probably doesn't help their traffic that much, but it's aligned with the design. The site is responsive.

The Verge

The Verge's homepage is probably the most unique of them all. While I would make the main menu less confusing, I really like the tiles for the most interesting articles. This is followed by the video section, and by a ton of other articles - too many of them, to be honest. But things get more interesting once you get to a specific post. The menu gets smaller, there is a clear navigation to the next and previous articles at the top, and the breaking news floats.

The Verge's posts are close to perfection - full of images and quotes, together with embedded galleries.

The design of the inner page is very creative, there is a huge image (not on all articles, it seems only on the reviews) with social share widgets, a secondary title is also used. I really like the quotes inside the text, and the jump-to thingie is useful as well. You can see that someone took a lot of time to shape the content, the text is wrapped around images, the galleries are embedded within the text. This gives you an impression you are browsing a high-end iPad magazine rather than a web page. There aren't to many other elements on the page, so the overall result is very clean and easy to read. On the other hand, that polished content structure probably makes it quite hard for the site to be responsive, which The Verge is not.

Wired

The legendary Wired magazine has an online edition that would make a lot of people proud. They have been always known as innovators, and were one of the first to introduce the grid display of articles instead of a list. This means the emphasis is more on the images and headings than it is on the text. The popup menu is put somewhere inside this grid of posts, which is a daring, but effective solution. This menu neatly moves to the top on the inner pages.

Wired's article headings have big titles and teasing abstracts.

Again, we are seeing two different types of posts as on The Verge, the basic one, and the advanced one. The advanced one is a feast to the eyes, with a huge heading and abstract that get you interested, the pictures that break out of paragraphs. But there are a few things that are not suited for such an established magazine. In a gallery, each click reloads the complete page, which can be very very annoying. I don't think hunting for ad views makes it worth it. I would also make the right column a little less overwhelming with content (not only ads, but everything else as well). And the site is not responsive.

Breaking down the elements

Based on the analysis, we can conclude that new specific elements started to emerge with the next generation of blogs. These elements are the results of us consuming content in a different way that we were a few years ago - before social and mobile. Most of them are taking care of "the homepage is not the landing page" situation, while trying to persuade people to proceed with browsing the content, lowering bounce rates.

	Fastco	Gawker	Mashable	TNW	Quartz	Verge	Wired	Total
Unconventional navigation		1		1	1			3
Fixed (floating) menu			1	1	1			3
Responsive design	1		1	1	1			4
Big key visual before text	1	1	1	1	1	1	1	7
Advanced key visual (gallery, video)	1	1	1					3
Abstract, teaser, subheading	1	1				1	1	4
Suggested content within limits	1	1		1	1	1		5
Custom social media integration	1		1	1				3
Polished content (wrapping, quotes)			1			1	1	3
Custom typography	1		1	1	1	1	1	6
Infinite scroll	1		1		1			3
Pinterest-style homepage			1	1		1	1	4
Integrated content and navigation				1	1			2
Total	8	5	9	9	8	6	5

Conclusion

Typical design and user experience of mainstream blogs have evolved in the past few years, and we will be seeing similar concepts adopted by the mainstream media as well. The social and mobile era have changed the way we consume content, while heightening our expectations - most of us simply count on great experiences. Luckily, the world is full of great innovators who are not afraid to take risks and implement new creative features that will become a standard in the years to come. I'm already looking forward to how other major players will respond to the new situation.

Check out the complete Reinventing the blog series.

Hey developer, here's something that will make you sound smart

Thu, 13 Dec 2012 08:21:02 GMT

I've met many developers in my life, and quite a few of them share a similar problem. Being mathematical geniuses and all, but not being able to put into words what the hell they are doing. At least so it would sound marketable and awesome. After all, it's not their job to sound smart, the developer's role in the Hipster - Hustler - Hacker dream team is a bit different. But talking like an MBA can have it's advantages, specially when it comes to individuals communicating with their clients.

Launch

Take my example, half of the time my customers don't fully understand what I'm saying even though I'm trying really hard. But I've noticed some phrases have a better effect than others, some simply sound like special awesome things are happening (which they are) and that everything is under control. The funny thing is that the recipe to speak like that is very simple: say hi to the MBA developer talk.

[MBA verb] + [technical noun] = [#mbadev]

The equation for the #mbadev talk is elementary. Take a power verb that has a really active meaning. Like "structuring", "evaluating" or "utilizing". These are often used to make an activity sound way cooler than it actually is. Then, take a noun that is very hacker-specific, something that non-technical people don't fully understand. Like "metadata", "framework" or "encapsulation". Put them together, and you have a winner. Developers, face it, no one really understands what you're saying, so you might as well make it sound cool.

"Dear client, I'm very busy structuring metadata, thank you for your understanding".

The MBA developer talk seems such a great concept that we've even made a generator for it. Feel free to take it for a spin, you'll be amazed by how such a basic combination can yield such interesting results. Now all developers can sound really smart.

http://mbadev.neolab.si

Targeting non-vegetarians with veggie food? Well played, Spar, well played.

Sun, 07 Oct 2012 20:04:44 GMT

I'm not vegetarian, and apparently I share this habit with more than 95% of other people. I generally don't buy vegetarian food, a steak works fine with me. I didn't even know I could/should buy vegetarian food - after all, vegetarian food is designated for vegetarians, which I'm not. I don't have anything agains them, but we're a different breed you know, like wolves and butterflies. To be honest, I wouldn't mind eating a vegetarian meal, if only I would feel it's something intended also for me. That's why I don't. But Spar told me I could and I should. And I think they might be on to something.

Spar's new Veggie products have an interesting twist. It's a vegetarian line, targeting non-vegetarians. When the lovely Gwyneth Paltrow, who is not a vegetarian, but likes veggie, tells you that, you might as well think, hmm, she might be right. Why should I be a vegetarian to eat a meatless meal? I like my vegetables, so eating vegetarian on few occasions actually isn't such a bad idea. Which is fucking genius. Spar just made their potential client pool 20x bigger than it was, and their original target group probably doesn't mind it at all. There's a chance they will actually feel proud that meat-eaters will be copying their lifestyle.

"I'm not a vegetarian, but I like veggie." Why haven't I thought of that?

I love to comment on simple and effective campaigns like this, even though I'm not a marketing expert. That's why I'm not sure if this type of approach has been used before or if it even has its own name from the Mad Men times. Anyways, I think it's brilliant, and I will definitely be thinking about how to use it in other scenarios. Taking a minor group with specific requirements, creating a product for them, and then selling it to a larger group with the "why not" approach. Infinite possibilities, while the one presented probably has the most potential of them all. Well played, Spar, well played.

Trademarks and logos are the property of their respective owners.

Volkswagen. Das Auto. Simply brilliant.

Thu, 12 Apr 2012 13:57:59 GMT

You know when car manufacturers try to market their products with meaningful slogans? "Today. Tomorrow. Toyota.", "Seat. Auto emoción.", "Ford. Build for the road ahead.", "Citroën. Créative technologie.", "Volvo. For life.", "Audi. Keeping ahead through technology.", "Škoda. Simply clever.", "Porsche. There is no substitute.", "Mercedes. The best or nothing.", "Hyundai. New thinking. New possibilities.", "Cadillac. Creating a higher standard." and similar? I'm sure you do.

These words try to capture the essence of each automotive company, but at the same time unwillingly determine which of them will be perceived similarly. Some try to be technology driven (Toyota, Audi, Citroën), some try to be luxurious and irreplaceable (Mercedes, Porsche, Cadillac), some try to be the rational choice (Škoda), some try to influence emotion (Seat, Citroën), some try to look ahead (Hyundai, Ford) and some try be long lasting (Toyota, Volvo). You have many choices about who you want to be when you're buying a new car.

When presented together, you can see that these slogans are no so different from each other, since it's hard to go over the top with just a few words. But there is a car brand that managed to do just that. I don't own a Volkswagen or have plans to buy one in the future, but I can't help myself - this is simply awesome:

Volkswagen. Das Auto.

"Das" works great. It sounds rough and manly, and it's unmistakably German. The German economy is relatively healthy compared to other countries in Europe, and the quality of German engineering is known worldwide. "Das Auto" or "The (German) Car" symbolizes all of that and much more.

This slogan, even though more simple than all of the above, actually delivers the same the message as all of them combined. Technology driven: checked. Looking ahead: checked. High quality and long lasting: checked. Rational choice (combined with Volkswagen or people's car): checked. And if you have a fetish for German products, like many cultures do, you can check the emotional and luxury component as well. All of it packed in two words that tell everything: Das Auto. I want one.

Trademarks and logos are the property of their respective owners.

The Silicon Valley tour, part 7: A few exciting new business models that actually work

Sun, 25 Mar 2012 17:28:22 GMT

Visiting Silicon Valley enabled me too peek into the future a bit. Finding out about new technology trends, meeting disruptive new software startups and seeing fascinating new business models that are proven to work. There are even more futuristic products / services than the ones mentioned in this post, but these are the ones that made the biggest impression on me. And they all share similar competitive advantages: using smartphones and other mobile devices, canceling middlemen and supporting cashless commerce.

Mobile payments and Square

While Square may already be mainstream in the States, something like it is far away from being used in Europe, not to mention Slovenia. Square is focused on mobile payments, and is currently offering three different services:

a credit card reader that you can plug into your mobile device
an iPad register app for merchants, supporting invoices, payments and inventory
an app for paying with your smartphone

Square is on fire, and there are tons of places in San Francisco where you can use it. Electronic payment industry leaders such as PayPal are already looking for ways to conquer the same market.

A place that accepts all major credit cards and Square

Personal chauffeur and Uber

Uber can only be described as taxi on steroids, bypassing the dispatcher. Ok, it's actually a chauffeur. Using a mobile app, you make a request, and one of the drivers answers it. After that, you can see where the driver is, when he will pick you up, how your driver looks like, and get a direct link to call them. A guy in a suit driving a Lincoln picks you up, takes you wherever you want, and after it, you just exit, without paying. You get an invoice on your email, together with the map of the route, and the fare gets deducted from your credit card. It's a bit more expensive than a cab, but still, a pretty awesome service, that will be expanding to other countries soon.

With Uber, you get picked up by a Lincoln like this

Carsharing and Zipcar

The next generation of rent-a-car is called carsharing, and it's offered by Zipcar. No agents, just your card that you use to unlock the car you've rented. Everything happens online, where you make a request for a car, get directed to a designated pick-up area, and the car is already waiting for you there. Petrol is included in the price, and if the fuel tank drops below 1/4, you just use their credit card to top it up. Results: rent-a-car has never been easier, cheaper and less stressful.

One of the Zipcar pick-up places. They are everywhere.

bonus: Co-working and NextSpace

Co-working represents shared offices that people from different startups and companies can use. Besides being cheaper than renting your own office, you also get a chance to spend time with other people, share knowledge and ideas, which is something I found out to be invaluable. NextSpace is an established co-working space in San Francisco, with more than 175 members and packages ranging from a few hundred dollars monthly for a desk to around a thousand for a complete office. Something similar is already happening in Slovenia, so if you are interested, please visit coworking.si.

Tables, offices, conference rooms. All available with NextSpace.

Conclusion

Some of these business models might not work as well outside the curious and tech-savvy culture of Silicon Valley, but they can still help as a demonstrator of things that can be done and an announcer of things to come. Let's face it, in technology, Silicon Valley is still miles ahead, so if you're looking for trends, the smartest thing to do is just to go along with it.

Trademarks and logos are the property of their respective owners.

Check out the complete The Silicon Valley tour series.

Is Dexter and its social game Slice of Life the future of TV shows (but no one noticed)?

Sun, 06 Nov 2011 15:46:35 GMT

I don't know if you've noticed, but a few months ago the hit television show Dexter got it's own social game you can play on Facebook, named Slice of Life. Similar kinds of branded social games have been done before, but it's something else that's interesting this time. This game changes according to the plot of the television series each week. That's right, the show and the game are coexisting and evolving together to bring users a totally new type of experience. And while most technology blogs, obsessed with social, said Slice of Life is a revolutionary new type of a social game, I asked myself: is it rather a new revolutionary type of consuming television?

Television is static - not interactive the way the Web is. You can't do much. More or less, liking and commenting shows, besides tele voting, are the most interactive things you can do. But Slice of Life changes everything. A television show that you can watch, consume and play on multiple mediums, multiple channels, multiple platforms, online and offline. You're actually playing a game inside the show. Or watching a show inside the game. Pretty awesome stuff that didn't get as nearly much attention as it should, attention for bringing a new type of interactivity to television shows.

If the future of television as a medium will be defined by new types of business models (Netflix), physical architecture (Google?) and user experience (Apple?), the future of television content will definitely be defined by the level of interactivity it offers, imitating the Web. And until now, interactivity hasn't been solved in such a smart way than our favorite serial killer's social game. You must watch, you must play, you must do everything to be the biggest of the 10 million+ fans Dexter has on Facebook.

It looks like television is becoming more than just a medium. It's rather evolving into a cross-platform interactive content serving entertainment system. Some have already managed to successfully understand that fact, more will follow soon. I don't know about you, but I can't wait to see more.

Creative online advertising at its best – Wired and Youtube

Sat, 27 Feb 2010 13:48:41 GMT

I used to work for an online advertising agency. For large projects we were usually trying to make a campaign extraordinary and special, something that would stand out from the rest and be creative and effective. When you are trying to achieve something like that you are usually limited by a great number of facts, such as the campaign budget, creativity of the team, capabilities of the designers and programmers, but perhaps most importantly, the technical issues and platform of the site that will serve the ads.

Looks like Wired.com and YouTube.com don't have those problems and are actually cooperating with the advertisers to go towards perfection. YouTube you know, but in case you haven't heard of Wired, it's an online blog and an off-line magazine, one of the most respectable with focus on new technologies. They have great content, high reach and are a big potential for advertisers and marketers. Some of them are actually prepared to go for it all the way. I have noticed two campaigns on Wired and one on YouTube that really stand out, all of them fully integrated with the site. Forget floaters and takeovers, in-site advertising is the bomb. We can only wonder how much money was spent on the design, development and the serving of the ads.

Acura

The Acura ZDX banner works in a such a way that the site's main menu and some content are reflected onto the car (fake, of course). This makes it look as if the commercial is fully integrated with the site, making it interesting and appealing. It doesn't do anything special besides that, but the graphic rendering is pretty good.

Apple

Apple's iPod nano and iPod touch advertisements on Wired.com are even more outstanding. iPod touch goes a step further, breaking apart the site and its main menu (fake again, of course), trying to communicate the motion sensitivity, multi-player gaming and other features of the gadget. This approach goes beyond in-site advertising, because it uses the takeover ad to emphasize iPod touch capabilities, giving it an outstanding look and probably a very high effect for both branding and direct response. You must be weird not to click it, even though you know where the link leads and you don't actually need or want it.

Nintendo

After Nintendo's Wii console came out, they made a really awesome Wario Land ad on YouTube. Emphasizing the gaming console's capabilities and motion sensitive controllers, they went even a step further than Apple. The final result is a totally destructed YouTube page, with most of the site's elements slowly being kicked off the screen. Creative and amazing, again with great direct and branding effect, use of beyond in-site advertising, and a great demonstration of focused communication. This one looks like it actually really does take the site to bits and pieces, because all the elements look real and updated. Nintendo was probably able to negotiate full control over their YouTube channel.

These are bits of advertising excess I have noticed while browsing the web. The mentioned commercials are usually online just for a day or so, so it's hard to catch them if you're not a regular user. I'm sure there are more similar cases like this on other portals too. It's been obvious for quite some time that advertising is shifting towards online, with effective and amusing results. Technical capabilities of this medium are probably unlimited, so we can expect even more amazing displays of creativity, design and modern marketing in the future.